FOR CURRICULUM DIRECTORS & MUSIC TEACHERS

Music Ace and the National Core Music Standards

How the Music Ace Maestro curriculum supports the 2014 National Core Arts Standards for Music, the framework most state music standards are built on.

The National Core Music Standards (2014, from the National Association for Music Education and the National Coalition for Core Arts Standards) organize music learning around four artistic processes: Creating, Performing, Responding, and Connecting. Each carries coded performance standards for every grade level.

Most states build their music standards directly on this framework, including California (2019), New York (2017), and Illinois (2016), so an alignment to the national standards carries to those states with the same codes. Texas uses its own framework (the music TEKS); its music-literacy strand calls for the same skills shown below.

The standards are process standards. They describe what students do: read, perform, improvise, notate, analyze, evaluate. Music Ace is built around exactly those actions. Below, each strand of the curriculum is mapped to the performance standards its lessons and games support.

  • Cr · Creating
  • Pr · Performing
  • Re · Responding
  • Cn · Connecting

Pitch & the staff

Lessons on pitch matching, staff basics, note names, ledger lines, treble & bass clefs, sharps & flats.

MU:Pr4.2Students read and perform melodic patterns using standard notation, the core skill of every staff lesson.
MU:Re7.2Students demonstrate how concepts like melodic direction and register are used in the music they hear.

Rhythm & meter

Lessons on beat and tempo, note durations, time signatures, rests, and syncopation, performed in real time and scored.

MU:Pr4.2Students read and perform rhythmic patterns from notation, from quarter notes through syncopation.
MU:Pr6.1Students perform with technical accuracy; every rhythm performance is evaluated in real time.
MU:Re7.2Dictation and discrimination activities: students identify the rhythm they hear.

The keyboard

Lessons connecting the staff to the piano keyboard: key names, octaves, white & black keys.

MU:Pr4.2Notation is read and immediately performed at an on-screen (or MIDI) keyboard.
MU:Pr5.1Students rehearse, get immediate feedback, and repeat to refine, which is the lesson-and-game loop.

Scales, keys & tonality

Lessons on major and minor scales, key signatures, whole & half steps, learned structurally and by ear.

MU:Pr4.2Students demonstrate knowledge of tonality in the music they read and perform.
MU:Re7.2Students distinguish major from minor aurally, at rising difficulty, from full scales to fragments.

Intervals, harmony & ear training

The lessons most programs don't reach: intervals, chords, and hearing harmony, with listening woven into every activity.

MU:Re7.2Students analyze what they hear: matching pitches, identifying intervals, recognizing chord qualities.
MU:Re9.1Evaluation activities apply criteria to what students hear. Is it the same, higher, in tune?
MU:Pr4.2Harmony is read on the staff, not treated as a separate subject.

Composition in the Doodle Pad

Students write music of their own from a blank page, or open classical excerpts from the Jukebox and rework them. Compose-a-melody activities appear inside lessons too.

MU:Cr1.1Students improvise and generate rhythmic and melodic ideas, including inside lessons, using the pattern just learned.
MU:Cr2.1Musical ideas are organized and documented in notation on the Doodle Pad.
MU:Cr3.1Compositions can be revised, refined, and saved, completing the refine-and-finish cycle.
MU:Cn11.0Jukebox excerpts connect students' work to the classical repertoire.

One lesson, all four processes

The standards describe processes, and every Music Ace lesson runs students through them in order.

RESPONDING

Echo and discrimination: hear the pattern, tell it apart from its neighbors.

PERFORMING

Read the notation and perform it, with real-time evaluation and a score.

CREATING

Compose a short melody that uses the new pattern.

CONNECTING

Take the skill back to the ensemble, the practice room, and the repertoire.

For your curriculum office: the full alignment matrix maps every concept in the 48 Maestro lessons against the performance standards it supports. It is useful for adoption paperwork in NCAS states and for TEKS crosswalks in Texas. See the full matrix →

See the curriculum for yourself

The demo's main menu lists every lesson and what it covers.